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Kanto SUB8 8-inch Powered Subwoofer (Matte Black)

£9.9£99Clearance
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We become aware of the TUK’s energetic ability when it comes to delivering a dynamic performance through the midrange frequencies, too. Jagger’s vocal is upfront but held within a nicely layered mix, from the sparkling treble to the competent mids. Let me make one thing abundantly clear: I love the concept of powered loudspeakers. I absolutely support their adoption. Over the years, I've owned as many powered loudspeakers as I have passive ones, though admittedly I've had to resort to purchasing either Bang & Olufsen products or professional monitoring/mastering loudspeakers, since using the word "powered" in audiophile and home theater circles is sacrilege. BIC America has been making audio equipment since the 70s and the BIC F12 subwoofer is one of the most talked-about budget subwoofers on the market. The F12 produces punchy and impactful bass that will rumble on your walls. Its 475W peak power delivers 150W RMS power. The budget subwoofer is a classic design consisting of a relatively large “box” and a traditional woofer with a diameter of usually 10 inches. At the same time, the output power of the built-in amplifier, typical for the initial category, is from 50 to 150 watts.

A Kanto fő profilját állványra (vagy esetleg polcra) helyezhető aktív hangfalak képezik. Közéjük tartozik az aprócska YU2 és nagyobb testvére, a YU6 és nem szabad elfelejteni az audiofil képességű TUK-ot sem. Az előbb említett modellek mindegyikén található aktív mélysugárzó kimenet. Árban és dizájnban is harmonikus társnak tűnik hozzájuk a SUB8. De ha valaki teljesen más gyártótól származó hangrendszert birtokol, ahhoz is társítható, amennyiben kedvezőbb árú és méretben nem hivalkodó mélynyomó a cél. Then, of course, there are speakers like Apple's HomePod and Google Home Max. The Google Home Max does have an auxiliary input, which is good, but it is so stupidly utilized that I don't even consider it functional. Both the HomePod and the Home Max can wirelessly be turned into a stereo pair, but this is only when used via Bluetooth. While the Apple HomePod, despite its limitations, is still one of the best looking and sounding powered speakers on the market today, with the Google Home Max not that far behind, I consider the YU6 to be a far more well-rounded and versatile product overall that is capable of feats either Apple or Google's speakers cannot begin to touch. The Klipsch R-10SWi features a 10-inch IMG graphite-impregnated copper driver that reproduces low frequencies with minimal distortion. The built-in digital amplifier provides sufficient power with high efficiency and fidelity. Low crossover travel and phase control allow the subwoofer’s low-frequency sound to be precisely synchronized with the sound of the rest of the Klipsch speakers, as well as to optimize the bass level. Is it the most critical or accurate loudspeaker on the market today? No, not by a long shot. Is it going to beat the likes of Sonos when comes to being the centerpiece of a DIY distributed audio setup? No. The YU6 is for enthusiasts, not 'philes. It's for someone that wants quality sound without all the fuss. The YU6 is a true lifestyle product in every sense of the word. You don't have to approach this setup with any reverence or magic pixie dust; you just need to put on a record or cue up a movie and enjoy. As far as I'm concerned, the YU6/ Sub 8 combo is one of the best gateway audio systems I have ever seen or heard. Its compact size provides full-range sound without sacrificing floor space and a crossover filter and phase control allow for easy integration into any audio system. Sub8 provides worry-free longevity with its rigid MDF construction, solid rubber feet, metal grill, and durable vinyl finish.Works best in medium-sized rooms. For larger rooms, you may need a 12-inch woofer or more than one subwoofer With matching aesthetics, sub8 is the perfect companion to any Kanto speaker or wherever else tight bass in a tight space is needed. FEATURES• POWERFUL 300W: Experience impressive sound performance. The rear of the SUB8 features precision dials for controlling the overall volume as well as the crossover frequency point. The crossover frequency allows you to shape the sound of your bass to match the shape and sound of your room. It also has a phase adjustment control so you can troubleshoot any phasing issues when matching the sub to your speakers. The paper cone driver is protected by a metal grille which also helps to minimise diffraction for weighty bass response. Modern sound technology is developing at an active pace and its steep subwoofer for the house no one surprises. This device reproduces the lowest frequencies that humans can perceive. Good bass is always a good investment in your home speaker system, allowing you to enjoy more music or movies. This applies to both elite subwoofer models and budget ones.

Simply put, the YU6 is fun. It's a tidy little monitor that has a crisp sound, well suited for a lot of modern recordings, which likely is why it's been popular with younger audio enthusiasts. That, and its price tag of course. Notice I didn't mention its popularity with audiophiles, for while I believe the YU6 could be enjoyed by audiophiles, it likely won't because they won't give it a chance. But that's okay. I don't think the YU6 is a speaker you listen to critically, I think it's a speaker, or a speaker system, that is more about the experience. It's not quite a distributed audio speaker la Sonos, but it's not an appointment listening speaker either. It's a speaker system that begs to be a part of your everyday life rather than the focus of a small portion of it. And based on my evaluation of it, I think that last point is its greatest strength. Power is claimed to be 65W per channel. And remember, these are powered speakers, not true active, so the amplification is all housed in the master speaker enclosure, with a cable link between it and its passive partner. Where an active system features a dedicated amp for each driver, the Kanto approach should be thought of as more akin to a traditional, passive system, where the amp (in this case a Class D design) is simply squirrelled away inside one of the boxes. We locate Joni Mitchell’s River, another FLAC file, but this time we listen through Grado’s SR125 headphones plugged into the master speaker. It’s an expansive mix where Mitchell’s vocal seems as close to our ear as she intended, but we’re missing her vocal strength through the lower registers. Verdict While the TUKs are presenting a clean and agile listen, it’s also thin and overly forward – and even adjusting the EQ settings and moving them closer to the rear wall of our listening room doesn’t fully balance things out.The Kanto Ora Powered Reference Desktop Speakers with Bluetooth v5.0 present a powerful audio experience, boasting 300W of impressive sound output. A Kanto SUB8 képességeihez nem mellékelt a gyártója gyanúsan fennhéjázó ígéreteket. Aktív mélysugárzó viszonylatban viszonylag kisméretűnek számít, doboza és 20 cm-es, papír membrános hangszórója is. D osztályú erősítőt tartalmaz, 125 W folyamatos és 250 W rövid időre biztosítható csúcsteljesítménnyel. Frekvencia-átvitele 35 Hz-től 175 Hz-ig tart. Ára e sorok írásakor 120 000 forint. Az összkép realista, nem sejteti, hogy megtáncoltatja a konyhaszekrényben porosodó borospoharakat. Nem is arra készült. Házimozi próbatételhez az Interstellar ( Csillagok között) és Don’t Look Up ( Ne nézz fel!) c. filmek közben dolgozott a kis Kanto. 60-70 %-os terhelés esetén sem tapasztaltunk zavaró zörgést, búgást a mélyláda irányából. Intenzív járatásnál már kissé felkeményedtek és monotonná váltak a basszusok, ami némi információ veszteséget okozott. Hozzá kell tenni, hogy utóbbi a 20 négyzetméteres szobában már kifejezetten zavaró hangnyomásszintnek számított. Az Interstellar rakéta fellövéses jeleneténél kaptunk egy kis borzongást és dübörgést, de azért nem indult el alattunk a kanapé. A zenei betéteknél tetszett, hogy kicsit súlyosabb karaktert kapott az orgona ahhoz képest, amit 2.0 üzemmódban, mélyláda nélkül nyújtott a rendszer. A Netflix-ről lejátszott Don’t Look Up zenei betétjeire eleven, de nem túl kemény karakterrel reagált a SUB8. Zártságának köszönhetően dallamos és kontrollált mélyhangokat kínált. Tetszett, hogy kicsit kiterjesztette az atmoszférát, de a sziklaszilárd basszus érzet nem tartozott képességei közé.

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